AD11

Product Description

The LavryBlack AD11 is a stereo Analog to digital converter that accepts either line level or microphone level analog inputs and outputs stereo digital audio via XLR, RCA, and USB. The Line input and Microphone input stages are completely separate and relay bypassed; so there is no compromise to the performance in either mode.

For more information on the LavryBlack AD11 click here

For general information see analog to digital converter.

Features

• Recording at 44.1, 48, 88.2 or 96 kHz with 24 bit word length
• Super-stable internal clock
• External clocking via word clock or AES sync
• BNC Word Clock output for synchronizing other gear to the AD11
• Digital output format selectable between AES/EBU and IEC (SPDIF)
• Peak hold selectable on large wide range LED meters
• Soft Saturation for peak level control without time constants (allows signal to be compressed or limited without undesirable interaction due to different attack and release times)
• Combo input connectors accept +4 XLR pro level, pro microphone level or -10 1/4" instrument level inputs
• Optional Rack Mount Kit (can be used to mount any combination of two LavryBlack units)

Applications

• Tracking
• Mixing
• Overdubs
• Mastering
• Broadcast
• Live/Location Sound
• Post Production
• Vinyl Transcription

Connections

1.) Analog inputs-

The AD11 has "Combo connectors" that can accept XLR or 1/4" T.R.S. or T.S. phone plugs for balanced or unbalanced sources. In the line level gain range of 0-12dB; the XLR input accepts "+4dBu" level signals. The XLR inputs can also accept low impedance microphone inputs in the microphone Gain range of 20-65dB. For use with condenser microphones, +48V Phantom power is selectable on each channel, and is disabled in the Line level Gain range (0-12dB).

The 1/4" input is wired in a standard manner so the tip is the "+" signal conductor for either T.R.S. or T.S. connections. The sleeve is the "-" signal conductor for T.R.S. connections and would be grounded by the sleeve in T.S. connections. In the Line level Gain range of 0-12dB, the 1/4" input applies 12dB of fixed gain to the signal to raise "-10dBV" consumer line level inputs to "+4dBU" professional line level; allowing the lower line level analog signals to be encoded at full digital level.

The XLR input is Pin 2 "+" and Pin 3 "-" for normal signal polarity. Thus, for unbalanced Line level XLR connections, the "hot" signal conductor would be connected to Pin 2 and the signal return would be connected to Pin 3. In Microphone mode, the AD11 accepts ONLY low impedance balanced microphone inputs.

2.) Digital outputs-

The digital outputs consist of (1) male XLR, (1) RCA socket, and (1) USB connector.

The output format for both the XLR and RCA outputs is selected by front panel setting for "AES" or "SPDIF" (which is IEC 60958 type II).

The USB output utilizes the native OS drivers for both Windows® and Apple® operating systems.

3.) Synchronization- There are two BNC connectors for Sync in and Word Clock output. The Sync In connector can accept either Word Clock or AES sync signals, and front panel settings control the type and enable/disable external clocking. The AD11 is capable of clocking from an S-PDIF digital audio signal as well as an AES3 signal; so the setting is designated "dig-a" for digital audio (as versus "AES" or "AES sync"). The Sync in BNC connection has 75Ohm internal termination.

Operating tips

Although the AD11 is capable of clocking from an external S-PDIF sync source; AES sync is recommended when possible due to the significantly higher signal voltage level.

Links

• AD11 Manual
• ASIO4ALL Setup
• Connecting to ProTools 9 or 10