Difference between revisions of "AD11"

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The LavryBlack AD11 is a stereo Analog to digital converter that accepts either line level analog inputs or microphone inputs and outputs stereo digital audio via XLR, RCA, and USB. The Line input and Microphone input stages are completely separate and relay bypassed; so there is no compromise to the performance in either mode.  
 
The LavryBlack AD11 is a stereo Analog to digital converter that accepts either line level analog inputs or microphone inputs and outputs stereo digital audio via XLR, RCA, and USB. The Line input and Microphone input stages are completely separate and relay bypassed; so there is no compromise to the performance in either mode.  
  
[http://www.lavryengineering.com.vhost.zerolag.com/products/pro-audio/ad11.html For more information on the LavryBlack AD10 click here]   
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[http://www.lavryengineering.com.vhost.zerolag.com/products/pro-audio/ad11.html For more information on the LavryBlack AD11 click here]   
  
 
For general information see [[analog to digital converter]].
 
For general information see [[analog to digital converter]].
 
==Features==
 
==Features==
*Internal Crystal 44.1, 48, 88.2, & 96 kHz sampling rates
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*Recording at 44.1, 48, 88.2 or 96 kHz with 24 bit word length
*Ultra-stable internal and external clocking
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*Super-stable internal clock
*External Word Clock or AES sync for 32-100kHz operation
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*External clocking via word clock or AES sync
*24 bit AES/SPDIF and optical outputs
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*BNC Word Clock output for synchronizing other gear to the AD11
*XLR professional level analog inputs (+4dBu)
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*Digital output format selectable between AES/EBU and IEC (SPDIF)
*¼" instrument line level analog inputs (-10dBV)
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*Peak hold selectable on large wide range LED meters
*Accepts balanced or unbalanced analog signals
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*Soft Saturation for peak level control without time constants (allows signal to be compressed or limited without undesirable interaction due to different attack and release times)
*14 segment digital meters w/Peak Hold
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*Combo input connectors accept +4 XLR pro level, pro microphone level or -10 1/4" instrument level inputs
*Meter displayed gain setting from 0 to 13 dB (1dB steps)
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*Optional Rack Mount Kit (can be used to mount any combination of two LavryBlack units)
*''Digital Alias-free Emulation''(TM) modes for Tube, transformer, and Tube+Transformer sound
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==Applications==
 
==Applications==
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===Connections===
 
===Connections===
 
#Line inputs
 
#Line inputs
The AD10 has "Combo connectors" that can accept XLR or 1/4" [[T.R.S.]] or [[T.S.]] phone plugs for balanced or unbalanced sources.
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The AD11 has "Combo connectors" that can accept XLR or 1/4" [[T.R.S.]] or [[T.S.]] phone plugs for balanced or unbalanced sources.
  
 
The 1/4" input is wired in a standard manner so the tip is the "+" signal conductor for either T.R.S. or T.S. connections. The sleeve is the "-" signal conductor for T.R.S. connections and would be grounded by the sleeve in T.S. connections.
 
The 1/4" input is wired in a standard manner so the tip is the "+" signal conductor for either T.R.S. or T.S. connections. The sleeve is the "-" signal conductor for T.R.S. connections and would be grounded by the sleeve in T.S. connections.

Revision as of 11:36, 16 March 2012

Product Description

The LavryBlack AD11 is a stereo Analog to digital converter that accepts either line level analog inputs or microphone inputs and outputs stereo digital audio via XLR, RCA, and USB. The Line input and Microphone input stages are completely separate and relay bypassed; so there is no compromise to the performance in either mode.

For more information on the LavryBlack AD11 click here

For general information see analog to digital converter.

Features

  • Recording at 44.1, 48, 88.2 or 96 kHz with 24 bit word length
  • Super-stable internal clock
  • External clocking via word clock or AES sync
  • BNC Word Clock output for synchronizing other gear to the AD11
  • Digital output format selectable between AES/EBU and IEC (SPDIF)
  • Peak hold selectable on large wide range LED meters
  • Soft Saturation for peak level control without time constants (allows signal to be compressed or limited without undesirable interaction due to different attack and release times)
  • Combo input connectors accept +4 XLR pro level, pro microphone level or -10 1/4" instrument level inputs
  • Optional Rack Mount Kit (can be used to mount any combination of two LavryBlack units)


Applications

  • Tracking
  • Mixing
  • Overdubs
  • Mastering
  • Broadcast
  • Live/Location Sound
  • Post Production
  • Vinyl Transcription

Connections

  1. Line inputs

The AD11 has "Combo connectors" that can accept XLR or 1/4" T.R.S. or T.S. phone plugs for balanced or unbalanced sources.

The 1/4" input is wired in a standard manner so the tip is the "+" signal conductor for either T.R.S. or T.S. connections. The sleeve is the "-" signal conductor for T.R.S. connections and would be grounded by the sleeve in T.S. connections.

The XLR input is Pin 2 "+" and Pin 3 "-" for normal signal polarity. Thus, for unbalanced XLR connections, the "hot" signal conductor would be connected to Pin 2 and the signal return would be connected to Pin 3.

  1. Digital outputs

The digital outputs consist of (1) male XLR and (1) Toslink optical connector.

The included XLR to RCA adapter can be used to feed a standard RCA to RCA 75 Ohm coaxial "SPDIF" cable for connection to RCA input SPDIF equipment. In the vast majority of cases, the RCA SPDIF input will be compatible with the output of the AD10 without the use of an impedance matching transformer, if cable length conforms to recommendation for coaxial SPDIF connections (<3 meters).

Operating tips

Links

(link to manual)