Difference between revisions of "AD11"
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| − | == | + | ==Product Description== |
| − | + | The LavryBlack AD11 is a stereo Analog to digital converter that accepts either line level analog inputs or microphone inputs and outputs stereo digital audio via XLR, RCA, and USB. The Line input and Microphone input stages are completely separate and relay bypassed; so there is no compromise to the performance in either mode. | |
| − | |||
| − | |||
| − | |||
| − | + | [http://www.lavryengineering.com.vhost.zerolag.com/products/pro-audio/ad11.html For more information on the LavryBlack AD10 click here] | |
| + | For general information see [[analog to digital converter]]. | ||
| + | ==Features== | ||
| + | *Internal Crystal 44.1, 48, 88.2, & 96 kHz sampling rates | ||
| + | *Ultra-stable internal and external clocking | ||
| + | *External Word Clock or AES sync for 32-100kHz operation | ||
| + | *24 bit AES/SPDIF and optical outputs | ||
| + | *XLR professional level analog inputs (+4dBu) | ||
| + | *¼" instrument line level analog inputs (-10dBV) | ||
| + | *Accepts balanced or unbalanced analog signals | ||
| + | *14 segment digital meters w/Peak Hold | ||
| + | *Meter displayed gain setting from 0 to 13 dB (1dB steps) | ||
| + | *''Digital Alias-free Emulation''(TM) modes for Tube, transformer, and Tube+Transformer sound | ||
| + | |||
| + | ==Applications== | ||
| + | *Tracking | ||
| + | *Mixing | ||
| + | *Overdubs | ||
| + | *Mastering | ||
| + | *Broadcast | ||
| + | *Live/Location Sound | ||
| + | *Post Production | ||
| + | *Vinyl Transcription | ||
| + | |||
| + | ===Connections=== | ||
| + | #Line inputs | ||
| + | The AD10 has "Combo connectors" that can accept XLR or 1/4" [[T.R.S.]] or [[T.S.]] phone plugs for balanced or unbalanced sources. | ||
| + | |||
| + | The 1/4" input is wired in a standard manner so the tip is the "+" signal conductor for either T.R.S. or T.S. connections. The sleeve is the "-" signal conductor for T.R.S. connections and would be grounded by the sleeve in T.S. connections. | ||
| + | |||
| + | The XLR input is Pin 2 "+" and Pin 3 "-" for normal signal polarity. Thus, for unbalanced XLR connections, the "hot" signal conductor would be connected to Pin 2 and the signal return would be connected to Pin 3. | ||
| + | |||
| + | #Digital outputs | ||
| + | The digital outputs consist of (1) male XLR and (1) Toslink optical connector. | ||
| + | |||
| + | The included XLR to RCA adapter can be used to feed a standard RCA to RCA 75 Ohm coaxial "SPDIF" cable for connection to RCA input SPDIF equipment. In the vast majority of cases, the RCA SPDIF input will be compatible with the output of the AD10 without the use of an impedance matching transformer, if cable length conforms to recommendation for coaxial SPDIF connections (<3 meters). | ||
| + | |||
| + | ==Operating tips== | ||
| + | |||
| + | |||
| + | ==Links== | ||
| + | (link to manual) | ||
[[Category:lavry products]] | [[Category:lavry products]] | ||
[[Category:lavry analog to digital converters]] | [[Category:lavry analog to digital converters]] | ||
Revision as of 11:29, 16 March 2012
Product Description
The LavryBlack AD11 is a stereo Analog to digital converter that accepts either line level analog inputs or microphone inputs and outputs stereo digital audio via XLR, RCA, and USB. The Line input and Microphone input stages are completely separate and relay bypassed; so there is no compromise to the performance in either mode.
For more information on the LavryBlack AD10 click here
For general information see analog to digital converter.
Features
- Internal Crystal 44.1, 48, 88.2, & 96 kHz sampling rates
- Ultra-stable internal and external clocking
- External Word Clock or AES sync for 32-100kHz operation
- 24 bit AES/SPDIF and optical outputs
- XLR professional level analog inputs (+4dBu)
- ¼" instrument line level analog inputs (-10dBV)
- Accepts balanced or unbalanced analog signals
- 14 segment digital meters w/Peak Hold
- Meter displayed gain setting from 0 to 13 dB (1dB steps)
- Digital Alias-free Emulation(TM) modes for Tube, transformer, and Tube+Transformer sound
Applications
- Tracking
- Mixing
- Overdubs
- Mastering
- Broadcast
- Live/Location Sound
- Post Production
- Vinyl Transcription
Connections
- Line inputs
The AD10 has "Combo connectors" that can accept XLR or 1/4" T.R.S. or T.S. phone plugs for balanced or unbalanced sources.
The 1/4" input is wired in a standard manner so the tip is the "+" signal conductor for either T.R.S. or T.S. connections. The sleeve is the "-" signal conductor for T.R.S. connections and would be grounded by the sleeve in T.S. connections.
The XLR input is Pin 2 "+" and Pin 3 "-" for normal signal polarity. Thus, for unbalanced XLR connections, the "hot" signal conductor would be connected to Pin 2 and the signal return would be connected to Pin 3.
- Digital outputs
The digital outputs consist of (1) male XLR and (1) Toslink optical connector.
The included XLR to RCA adapter can be used to feed a standard RCA to RCA 75 Ohm coaxial "SPDIF" cable for connection to RCA input SPDIF equipment. In the vast majority of cases, the RCA SPDIF input will be compatible with the output of the AD10 without the use of an impedance matching transformer, if cable length conforms to recommendation for coaxial SPDIF connections (<3 meters).
Operating tips
Links
(link to manual)