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	<id>https://lavryengineering.com/wiki/index.php?action=history&amp;feed=atom&amp;title=Outboard</id>
	<title>Outboard - Revision history</title>
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	<updated>2026-05-19T10:56:15Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Outboard&amp;diff=45&amp;oldid=prev</id>
		<title>Brad Johnson at 01:51, 6 January 2012</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Outboard&amp;diff=45&amp;oldid=prev"/>
		<updated>2012-01-06T01:51:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:51, 6 January 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term &amp;lt;nowiki&amp;gt;&amp;quot;outboard&amp;quot;&amp;lt;/nowiki&amp;gt; is usually used in the context of &amp;quot;outboard equipment,&amp;quot; &amp;quot;outboard gear,&amp;quot; or &amp;quot;outboard processor&amp;quot; as a way to distinguish a piece of audio equipment that was not built into the mixing console of a recording studio.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term &amp;lt;nowiki&amp;gt;&amp;quot;outboard&amp;quot;&amp;lt;/nowiki&amp;gt; is usually used in the context of &amp;quot;outboard equipment,&amp;quot; &amp;quot;outboard gear,&amp;quot; or &amp;quot;outboard processor&amp;quot; as a way to distinguish a piece of audio equipment that was not built into the mixing console of a recording studio. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The mixing console was also commonly referred to as the &amp;quot;mixing board&amp;quot; or &amp;quot;board.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The earliest forms of outboard gear were limiter-compressors used to automatically control the volume of audio for a variety of reasons. Occasionally special equalizers were employed to give more important musical instruments or vocals a pleasing &amp;quot;tone.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The earliest forms of outboard gear were limiter-compressors used to automatically control the volume of audio for a variety of reasons. Occasionally special equalizers were employed to give more important musical instruments or vocals a pleasing &amp;quot;tone.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 1970's, the first outboard effects processors started to appear such as Phase-shifters and &amp;quot;delay&amp;quot; units designed to add ambient effects in addition to the more common &amp;quot;reverb.&amp;quot; As digital technology evolved, multi-effects processors capable of generating a number of effects such as flanging, chorus, delay, and reverberation became available.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 1970's, the first outboard effects processors started to appear such as Phase-shifters and &amp;quot;delay&amp;quot; units designed to add ambient effects in addition to the more common &amp;quot;reverb.&amp;quot; As digital technology evolved, multi-effects processors capable of generating a number of effects such as flanging, chorus, delay, and reverberation became available&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. It was common for outboard gear to be made in the [[19&amp;quot; rack]] form as a way to simplify integrating them into the studio environment&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Today, most outboard processing has been replaced by software &amp;quot;plug-ins&amp;quot; that duplicate the same effects as well as perform new ones. However; the outboard effects unit still has the advantage of operating (virtually) in &amp;quot;real-time;&amp;quot; so there are still application such as live sound where outboard processors can still be found. Most employ high-powered DSP processors that are capable of performing large numbers of complex calculations faster than personal computers which are optimized for other applications.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Today, most outboard processing has been replaced by software &amp;quot;plug-ins&amp;quot; that duplicate the same effects as well as perform new ones. However; the outboard effects unit still has the advantage of operating (virtually) in &amp;quot;real-time;&amp;quot; so there are still application such as live sound where outboard processors can still be found. Most employ high-powered DSP processors that are capable of performing large numbers of complex calculations faster than personal computers which are optimized for other applications.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Outboard&amp;diff=44&amp;oldid=prev</id>
		<title>Brad Johnson: Created page with &quot;The term &lt;nowiki&gt;&quot;outboard&quot;&lt;/nowiki&gt; is usually used in the context of &quot;outboard equipment,&quot; &quot;outboard gear,&quot; or &quot;outboard processor&quot; as a way to distinguish a piece of audio equ...&quot;</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Outboard&amp;diff=44&amp;oldid=prev"/>
		<updated>2012-01-06T01:47:44Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;The term &amp;lt;nowiki&amp;gt;&amp;quot;outboard&amp;quot;&amp;lt;/nowiki&amp;gt; is usually used in the context of &amp;quot;outboard equipment,&amp;quot; &amp;quot;outboard gear,&amp;quot; or &amp;quot;outboard processor&amp;quot; as a way to distinguish a piece of audio equ...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;The term &amp;lt;nowiki&amp;gt;&amp;quot;outboard&amp;quot;&amp;lt;/nowiki&amp;gt; is usually used in the context of &amp;quot;outboard equipment,&amp;quot; &amp;quot;outboard gear,&amp;quot; or &amp;quot;outboard processor&amp;quot; as a way to distinguish a piece of audio equipment that was not built into the mixing console of a recording studio.&lt;br /&gt;
&lt;br /&gt;
The earliest forms of outboard gear were limiter-compressors used to automatically control the volume of audio for a variety of reasons. Occasionally special equalizers were employed to give more important musical instruments or vocals a pleasing &amp;quot;tone.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
In the 1970's, the first outboard effects processors started to appear such as Phase-shifters and &amp;quot;delay&amp;quot; units designed to add ambient effects in addition to the more common &amp;quot;reverb.&amp;quot; As digital technology evolved, multi-effects processors capable of generating a number of effects such as flanging, chorus, delay, and reverberation became available.&lt;br /&gt;
&lt;br /&gt;
Today, most outboard processing has been replaced by software &amp;quot;plug-ins&amp;quot; that duplicate the same effects as well as perform new ones. However; the outboard effects unit still has the advantage of operating (virtually) in &amp;quot;real-time;&amp;quot; so there are still application such as live sound where outboard processors can still be found. Most employ high-powered DSP processors that are capable of performing large numbers of complex calculations faster than personal computers which are optimized for other applications.&lt;/div&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
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