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	<id>https://lavryengineering.com/wiki/index.php?action=history&amp;feed=atom&amp;title=Distortion</id>
	<title>Distortion - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://lavryengineering.com/wiki/index.php?action=history&amp;feed=atom&amp;title=Distortion"/>
	<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Distortion&amp;action=history"/>
	<updated>2026-05-19T10:55:21Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Distortion&amp;diff=1147&amp;oldid=prev</id>
		<title>Brad Johnson at 23:42, 11 June 2014</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Distortion&amp;diff=1147&amp;oldid=prev"/>
		<updated>2014-06-11T23:42:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:42, 11 June 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some examples are clipping, analog tape saturation, &amp;quot;hard limiting&amp;quot; with very fast attack and release times, or distortion caused by transformers or tubes.  Other examples of distortion in analog audio systems are harmonic and intermodulation distortion. Harmonic distortion (as the name implies) refers to the generation of harmonics of the input signal by the audio system. Intermodulation distortion is typically caused by an interference signal interacting with the input signal and is not harmonic in nature; making it much more audible at lower levels than harmonic distortion.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some examples are clipping, analog tape saturation, &amp;quot;hard limiting&amp;quot; with very fast attack and release times, or distortion caused by transformers or tubes.  Other examples of distortion in analog audio systems are harmonic and intermodulation distortion. Harmonic distortion (as the name implies) refers to the generation of harmonics of the input signal by the audio system. Intermodulation distortion is typically caused by an interference signal interacting with the input signal and is not harmonic in nature; making it much more audible at lower levels than harmonic distortion.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Non-linear processes in digital audio equipment can also cause distortion; and like intermodulation distortion, these distortions tend to be non-harmonic in nature and are more audible at lower levels than harmonic distortion as a result. On example of this type of distortion is the effect of jitter in clocking of conversion.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Non-linear processes in digital audio equipment can also cause distortion; and like intermodulation distortion, these distortions tend to be non-harmonic in nature and are more audible at lower levels than harmonic distortion as a result. On example of this type of distortion is the effect of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;jitter&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in clocking of conversion.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Distortion&amp;diff=1146&amp;oldid=prev</id>
		<title>Brad Johnson at 23:41, 11 June 2014</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Distortion&amp;diff=1146&amp;oldid=prev"/>
		<updated>2014-06-11T23:41:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:41, 11 June 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot; &gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Basics==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Basics==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some examples are clipping, analog tape saturation, &amp;quot;hard limiting&amp;quot; with very fast attack and release times, or distortion caused by transformers or tubes.  Other examples of distortion in analog audio systems are harmonic and intermodulation distortion. Harmonic distortion (as the name implies) refers to the generation of harmonics of the input signal by the audio system. Intermodulation distortion is typically caused by an interference signal interacting with the input signal and is not harmonic in nature; making it &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;my &lt;/del&gt;more audible at lower levels than harmonic distortion.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some examples are clipping, analog tape saturation, &amp;quot;hard limiting&amp;quot; with very fast attack and release times, or distortion caused by transformers or tubes.  Other examples of distortion in analog audio systems are harmonic and intermodulation distortion. Harmonic distortion (as the name implies) refers to the generation of harmonics of the input signal by the audio system. Intermodulation distortion is typically caused by an interference signal interacting with the input signal and is not harmonic in nature; making it &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;much &lt;/ins&gt;more audible at lower levels than harmonic distortion.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Non-linear processes in digital audio equipment can also cause distortion; and like intermodulation distortion, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;tends &lt;/del&gt;to be &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;not &lt;/del&gt;harmonic in nature and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;also &lt;/del&gt;more audible at &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;much &lt;/del&gt;lower levels than harmonic distortion as a result. On example of this type of distortion is the effect of jitter in clocking of conversion.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Non-linear processes in digital audio equipment can also cause distortion; and like intermodulation distortion, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;these distortions tend &lt;/ins&gt;to be &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;non-&lt;/ins&gt;harmonic in nature and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;are &lt;/ins&gt;more audible at lower levels than harmonic distortion as a result. On example of this type of distortion is the effect of jitter in clocking of conversion.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Distortion&amp;diff=496&amp;oldid=prev</id>
		<title>Brad Johnson: Created page with &quot;==Overview== The term &quot;&lt;nowiki&gt;distortion&lt;/nowiki&gt;&quot; is used broadly to describe the result of audio passing through a non-linear process.  ==Basics== Some examples are clippi...&quot;</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Distortion&amp;diff=496&amp;oldid=prev"/>
		<updated>2012-03-29T00:00:55Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;==Overview== The term &amp;quot;&amp;lt;nowiki&amp;gt;distortion&amp;lt;/nowiki&amp;gt;&amp;quot; is used broadly to describe the result of audio passing through a &lt;a href=&quot;/wiki/index.php/Non-linear&quot; title=&quot;Non-linear&quot;&gt;non-linear&lt;/a&gt; process.  ==Basics== Some examples are clippi...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;==Overview==&lt;br /&gt;
The term &amp;quot;&amp;lt;nowiki&amp;gt;distortion&amp;lt;/nowiki&amp;gt;&amp;quot; is used broadly to describe the result of audio passing through a [[non-linear]] process.&lt;br /&gt;
&lt;br /&gt;
==Basics==&lt;br /&gt;
Some examples are clipping, analog tape saturation, &amp;quot;hard limiting&amp;quot; with very fast attack and release times, or distortion caused by transformers or tubes.  Other examples of distortion in analog audio systems are harmonic and intermodulation distortion. Harmonic distortion (as the name implies) refers to the generation of harmonics of the input signal by the audio system. Intermodulation distortion is typically caused by an interference signal interacting with the input signal and is not harmonic in nature; making it my more audible at lower levels than harmonic distortion.&lt;br /&gt;
&lt;br /&gt;
Non-linear processes in digital audio equipment can also cause distortion; and like intermodulation distortion, tends to be not harmonic in nature and also more audible at much lower levels than harmonic distortion as a result. On example of this type of distortion is the effect of jitter in clocking of conversion.&lt;br /&gt;
&lt;br /&gt;
[[Category:Terminology]]&lt;/div&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
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