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	<id>https://lavryengineering.com/wiki/index.php?action=history&amp;feed=atom&amp;title=Clipping</id>
	<title>Clipping - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://lavryengineering.com/wiki/index.php?action=history&amp;feed=atom&amp;title=Clipping"/>
	<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Clipping&amp;action=history"/>
	<updated>2026-05-19T10:56:10Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=1472&amp;oldid=prev</id>
		<title>Brad Johnson at 22:06, 3 August 2017</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=1472&amp;oldid=prev"/>
		<updated>2017-08-03T22:06:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:06, 3 August 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In digital audio, a form of encoding is commonly used that employs a &amp;quot;sign bit.&amp;quot; The other bits determine the amplitude of the waveform, and the sign bit determines whether the amplitude is ''positive or negative.'' A positive amplitude means the section of the waveform above &amp;quot;zero amplitude&amp;quot; and a negative amplitude means the section of the waveform below. In the analog example (above); this would correspond to a positive or negative voltage. Because of this, digital clipping is typically perfectly symmetrical in nature (it occurs at exactly the same amplitude positive and negative).    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In digital audio, a form of encoding is commonly used that employs a &amp;quot;sign bit.&amp;quot; The other bits determine the amplitude of the waveform, and the sign bit determines whether the amplitude is ''positive or negative.'' A positive amplitude means the section of the waveform above &amp;quot;zero amplitude&amp;quot; and a negative amplitude means the section of the waveform below. In the analog example (above); this would correspond to a positive or negative voltage. Because of this, digital clipping is typically perfectly symmetrical in nature (it occurs at exactly the same amplitude positive and negative).    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Asymmetrical clipping can occur in audio circuits that operate on [[single-ended]] power supplies (typically only a positive voltage and ground) and in circuits with &amp;quot;AC coupling.&amp;quot; Single-ended audio circuits must employ AC coupling to allow the audio waveform to be &amp;quot;re-centered&amp;quot; approximately half-way between the supply voltage and ground. There are a number of reasons why the waveform may not be perfectly centered at one-half the supply voltage:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Asymmetrical clipping can occur in audio circuits that operate on [[single-ended]] power supplies (typically only a positive voltage and ground) and in circuits with &amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;AC&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;coupling.&amp;quot; Single-ended audio circuits must employ AC coupling to allow the audio waveform to be &amp;quot;re-centered&amp;quot; approximately half-way between the supply voltage and ground. There are a number of reasons why the waveform may not be perfectly centered at one-half the supply voltage:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#The method of centering is either not precise or not centered by design.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#The method of centering is either not precise or not centered by design.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#AC coupling in conjunction with asymmetric audio waveforms introduces &amp;quot;DC error&amp;quot; in the waveform. DC error is basically a shifting of the entire waveform upwards or downwards from the original position in the amplitude domain and is typically as a result of the tendency for AC coupling to cause the power of the negative and positive sections of the waveform to be equal (or in other words to &amp;quot;cancel each other&amp;quot;).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#AC coupling in conjunction with asymmetric audio waveforms introduces &amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;DC&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;error&amp;quot; in the waveform. DC error is basically a shifting of the entire waveform upwards or downwards from the original position in the amplitude domain and is typically as a result of the tendency for AC coupling to cause the power of the negative and positive sections of the waveform to be equal (or in other words to &amp;quot;cancel each other&amp;quot;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;DC error can also be present in bipolar amplifiers with AC coupling, and the end effect is the same for clipping- it will be asymmetrical.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;DC error can also be present in bipolar amplifiers with AC coupling, and the end effect is the same for clipping- it will be asymmetrical.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=1471&amp;oldid=prev</id>
		<title>Brad Johnson at 22:04, 3 August 2017</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=1471&amp;oldid=prev"/>
		<updated>2017-08-03T22:04:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:04, 3 August 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Audio waveforms have two domains- the time domain which is the horizontal scale, and the amplitude domain, which is the vertical scale. Clipping is by definition an amplitude issue and will occur at a specific amplitude which depends on the cause.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Audio waveforms have two domains- the time domain which is the horizontal scale, and the amplitude domain, which is the vertical scale. Clipping is by definition an amplitude issue and will occur at a specific amplitude which depends on the cause.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For example, in an &amp;quot;ideal&amp;quot; audio amplifier operating on a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;bipolar&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; &lt;/del&gt;power supply voltage, when the output level would need to exceed the supply voltage to properly reproduce the input waveform; the section of the waveform that &amp;quot;exceeds&amp;quot; the supply voltage is replaced by a &amp;quot;flat line&amp;quot; at the supply voltage; because the amplifier output cannot exceed that voltage. In reality, the output cannot exceed a voltage somewhat below the supply voltage because there must be circuitry &amp;quot;between&amp;quot; the supply voltage and the output, for the amplifier to function. The difference is typically in the range of 1-2 volts; depending on the design of the amplifier, with special designs being able to amplify to a voltage less than 1 volt below the supply voltage.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For example, in an &amp;quot;ideal&amp;quot; audio amplifier operating on a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;bipolar&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;power supply voltage, when the output level would need to exceed the supply voltage to properly reproduce the input waveform; the section of the waveform that &amp;quot;exceeds&amp;quot; the supply voltage is replaced by a &amp;quot;flat line&amp;quot; at the supply voltage; because the amplifier output cannot exceed that voltage. In reality, the output cannot exceed a voltage somewhat below the supply voltage because there must be circuitry &amp;quot;between&amp;quot; the supply voltage and the output, for the amplifier to function. The difference is typically in the range of 1-2 volts; depending on the design of the amplifier, with special designs being able to amplify to a voltage less than 1 volt below the supply voltage.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The resulting &amp;quot;clipped&amp;quot; waveform will have the top and bottom sections equally affected (at very nearly the same voltage positive and negative), and this is referred to as &amp;quot;symmetrical clipping.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The resulting &amp;quot;clipped&amp;quot; waveform will have the top and bottom sections equally affected (at very nearly the same voltage positive and negative), and this is referred to as &amp;quot;symmetrical clipping.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In digital audio, a form of encoding is commonly used that employs a &amp;quot;sign bit.&amp;quot; The other bits determine the amplitude of the waveform, and the sign bit determines whether the amplitude is ''positive or negative.'' A positive amplitude means the section of the waveform above &amp;quot;zero amplitude&amp;quot; and a negative amplitude means the section of the waveform below. In the analog example (above); this would correspond to a positive or negative voltage. Because of this, digital clipping is typically perfectly symmetrical in nature (it occurs at exactly the same amplitude positive and negative).    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In digital audio, a form of encoding is commonly used that employs a &amp;quot;sign bit.&amp;quot; The other bits determine the amplitude of the waveform, and the sign bit determines whether the amplitude is ''positive or negative.'' A positive amplitude means the section of the waveform above &amp;quot;zero amplitude&amp;quot; and a negative amplitude means the section of the waveform below. In the analog example (above); this would correspond to a positive or negative voltage. Because of this, digital clipping is typically perfectly symmetrical in nature (it occurs at exactly the same amplitude positive and negative).    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Asymmetrical clipping can occur in audio circuits that operate on &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;single-ended&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; &lt;/del&gt;power supplies (typically only a positive voltage and ground) and in circuits with &amp;quot;AC coupling.&amp;quot; Single-ended audio circuits must employ AC coupling to allow the audio waveform to be &amp;quot;re-centered&amp;quot; approximately half-way between the supply voltage and ground. There are a number of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;reason &lt;/del&gt;why the waveform may not be perfectly centered at one-half the supply voltage:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Asymmetrical clipping can occur in audio circuits that operate on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;single-ended&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;power supplies (typically only a positive voltage and ground) and in circuits with &amp;quot;AC coupling.&amp;quot; Single-ended audio circuits must employ AC coupling to allow the audio waveform to be &amp;quot;re-centered&amp;quot; approximately half-way between the supply voltage and ground. There are a number of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;reasons &lt;/ins&gt;why the waveform may not be perfectly centered at one-half the supply voltage:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#The method of centering is either not precise or not centered by design.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#The method of centering is either not precise or not centered by design.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#AC coupling in conjunction with asymmetric audio waveforms introduces &amp;quot;DC error&amp;quot; in the waveform. DC error is basically a shifting of the entire waveform upwards or downwards from the original position in the amplitude domain and is typically as a result of the tendency for AC coupling to cause the power of the negative and positive sections of the waveform to be equal (or in other words to &amp;quot;cancel each other&amp;quot;).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#AC coupling in conjunction with asymmetric audio waveforms introduces &amp;quot;DC error&amp;quot; in the waveform. DC error is basically a shifting of the entire waveform upwards or downwards from the original position in the amplitude domain and is typically as a result of the tendency for AC coupling to cause the power of the negative and positive sections of the waveform to be equal (or in other words to &amp;quot;cancel each other&amp;quot;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=836&amp;oldid=prev</id>
		<title>Brad Johnson at 23:18, 24 July 2012</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=836&amp;oldid=prev"/>
		<updated>2012-07-24T23:18:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:18, 24 July 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Audio waveforms have two domains- the time domain which is the horizontal scale, and the amplitude domain, which is the vertical scale. Clipping is by definition an amplitude issue and will occur at a specific amplitude which depends on the cause.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Audio waveforms have two domains- the time domain which is the horizontal scale, and the amplitude domain, which is the vertical scale. Clipping is by definition an amplitude issue and will occur at a specific amplitude which depends on the cause.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For example, in an &amp;quot;ideal&amp;quot; audio amplifier operating on a &amp;quot;bipolar&amp;quot; power supply voltage, when the output level would need to exceed the supply voltage to properly reproduce the input waveform; the section of the waveform that &amp;quot;exceeds&amp;quot; the supply voltage is replaced by a &amp;quot;flat line&amp;quot; at the supply voltage; because the amplifier output cannot exceed that voltage. In reality, the output cannot exceed a voltage somewhat below the supply voltage because there must be circuitry &amp;quot;between&amp;quot; the supply voltage and the output, for the amplifier to function. The difference is typically in the range of 1-2 volts; depending on the design of the amplifier, with special designs being able to amplify to a voltage less than 1 volt &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;less than &lt;/del&gt;the supply voltage.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For example, in an &amp;quot;ideal&amp;quot; audio amplifier operating on a &amp;quot;bipolar&amp;quot; power supply voltage, when the output level would need to exceed the supply voltage to properly reproduce the input waveform; the section of the waveform that &amp;quot;exceeds&amp;quot; the supply voltage is replaced by a &amp;quot;flat line&amp;quot; at the supply voltage; because the amplifier output cannot exceed that voltage. In reality, the output cannot exceed a voltage somewhat below the supply voltage because there must be circuitry &amp;quot;between&amp;quot; the supply voltage and the output, for the amplifier to function. The difference is typically in the range of 1-2 volts; depending on the design of the amplifier, with special designs being able to amplify to a voltage less than 1 volt &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;below &lt;/ins&gt;the supply voltage.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The resulting &amp;quot;clipped&amp;quot; waveform will have the top and bottom sections equally affected (at very nearly the same voltage positive and negative), and this is referred to as &amp;quot;symmetrical clipping.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The resulting &amp;quot;clipped&amp;quot; waveform will have the top and bottom sections equally affected (at very nearly the same voltage positive and negative), and this is referred to as &amp;quot;symmetrical clipping.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=458&amp;oldid=prev</id>
		<title>Brad Johnson at 00:08, 22 March 2012</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=458&amp;oldid=prev"/>
		<updated>2012-03-22T00:08:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:08, 22 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Asymmetrical clipping can occur in audio circuits that operate on &amp;quot;single-ended&amp;quot; power supplies (typically only a positive voltage and ground) and in circuits with &amp;quot;AC coupling.&amp;quot; Single-ended audio circuits must employ AC coupling to allow the audio waveform to be &amp;quot;re-centered&amp;quot; approximately half-way between the supply voltage and ground. There are a number of reason why the waveform may not be perfectly centered at one-half the supply voltage:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Asymmetrical clipping can occur in audio circuits that operate on &amp;quot;single-ended&amp;quot; power supplies (typically only a positive voltage and ground) and in circuits with &amp;quot;AC coupling.&amp;quot; Single-ended audio circuits must employ AC coupling to allow the audio waveform to be &amp;quot;re-centered&amp;quot; approximately half-way between the supply voltage and ground. There are a number of reason why the waveform may not be perfectly centered at one-half the supply voltage:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#The method of centering is either not precise or not centered by design.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#The method of centering is either not precise or not centered by design.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#AC coupling in conjunction with asymmetric audio waveforms introduces &amp;quot;DC error&amp;quot; in the waveform. DC error is basically a shifting of the entire waveform upwards or downwards from the original position in the amplitude domain and is typically as a result of tendency &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;of &lt;/del&gt;AC coupling &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;causing &lt;/del&gt;the negative and positive to be equal (or in other words to &amp;quot;cancel each other.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#AC coupling in conjunction with asymmetric audio waveforms introduces &amp;quot;DC error&amp;quot; in the waveform. DC error is basically a shifting of the entire waveform upwards or downwards from the original position in the amplitude domain and is typically as a result of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/ins&gt;tendency &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;for &lt;/ins&gt;AC coupling &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;to cause the power of &lt;/ins&gt;the negative and positive &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;sections of the waveform &lt;/ins&gt;to be equal (or in other words to &amp;quot;cancel each other&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;)&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;DC error can also be present in bipolar amplifiers with AC coupling, and the end effect is the same for clipping- it will be asymmetrical.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;DC error can also be present in bipolar amplifiers with AC coupling, and the end effect is the same for clipping- it will be asymmetrical.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=457&amp;oldid=prev</id>
		<title>Brad Johnson at 00:05, 22 March 2012</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=457&amp;oldid=prev"/>
		<updated>2012-03-22T00:05:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:05, 22 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In digital audio, a form of encoding is commonly used that employs a &amp;quot;sign bit.&amp;quot; The other bits determine the amplitude of the waveform, and the sign bit determines whether the amplitude is ''positive or negative.'' A positive amplitude means the section of the waveform above &amp;quot;zero amplitude&amp;quot; and a negative amplitude means the section of the waveform below. In the analog example (above); this would correspond to a positive or negative voltage. Because of this, digital clipping is typically perfectly symmetrical in nature (it occurs at exactly the same amplitude positive and negative).    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In digital audio, a form of encoding is commonly used that employs a &amp;quot;sign bit.&amp;quot; The other bits determine the amplitude of the waveform, and the sign bit determines whether the amplitude is ''positive or negative.'' A positive amplitude means the section of the waveform above &amp;quot;zero amplitude&amp;quot; and a negative amplitude means the section of the waveform below. In the analog example (above); this would correspond to a positive or negative voltage. Because of this, digital clipping is typically perfectly symmetrical in nature (it occurs at exactly the same amplitude positive and negative).    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Asymmetrical clipping can occur in audio circuits that operate on &amp;quot;single-ended&amp;quot; power supplies (typically only a positive voltage and ground) and in circuits with &amp;quot;AC coupling.&amp;quot; Single-ended audio circuits must employ AC coupling to allow the audio waveform to be &amp;quot;re-centered&amp;quot; approximately half-way between the supply voltage and ground. There are a number of reason why the waveform may not be perfectly centered at one-half the supply voltage:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;#The method of centering is either not precise or not centered by design.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;#AC coupling in conjunction with asymmetric audio waveforms introduces &amp;quot;DC error&amp;quot; in the waveform. DC error is basically a shifting of the entire waveform upwards or downwards from the original position in the amplitude domain and is typically as a result of tendency of AC coupling causing the negative and positive to be equal (or in other words to &amp;quot;cancel each other.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;DC error can also be present in bipolar amplifiers with AC coupling, and the end effect is the same for clipping- it will be asymmetrical. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=456&amp;oldid=prev</id>
		<title>Brad Johnson at 23:50, 21 March 2012</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=456&amp;oldid=prev"/>
		<updated>2012-03-21T23:50:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:50, 21 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For example, in an &amp;quot;ideal&amp;quot; audio amplifier operating on a &amp;quot;bipolar&amp;quot; power supply voltage, when the output level would need to exceed the supply voltage to properly reproduce the input waveform; the section of the waveform that &amp;quot;exceeds&amp;quot; the supply voltage is replaced by a &amp;quot;flat line&amp;quot; at the supply voltage; because the amplifier output cannot exceed that voltage. In reality, the output cannot exceed a voltage somewhat below the supply voltage because there must be circuitry &amp;quot;between&amp;quot; the supply voltage and the output, for the amplifier to function. The difference is typically in the range of 1-2 volts; depending on the design of the amplifier, with special designs being able to amplify to a voltage less than 1 volt less than the supply voltage.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For example, in an &amp;quot;ideal&amp;quot; audio amplifier operating on a &amp;quot;bipolar&amp;quot; power supply voltage, when the output level would need to exceed the supply voltage to properly reproduce the input waveform; the section of the waveform that &amp;quot;exceeds&amp;quot; the supply voltage is replaced by a &amp;quot;flat line&amp;quot; at the supply voltage; because the amplifier output cannot exceed that voltage. In reality, the output cannot exceed a voltage somewhat below the supply voltage because there must be circuitry &amp;quot;between&amp;quot; the supply voltage and the output, for the amplifier to function. The difference is typically in the range of 1-2 volts; depending on the design of the amplifier, with special designs being able to amplify to a voltage less than 1 volt less than the supply voltage.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The resulting &amp;quot;clipped&amp;quot; waveform will have the top and bottom sections equally affected, and this is referred to as &amp;quot;symmetrical clipping.&amp;quot; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The resulting &amp;quot;clipped&amp;quot; waveform will have the top and bottom sections equally affected &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(at very nearly the same voltage positive and negative)&lt;/ins&gt;, and this is referred to as &amp;quot;symmetrical clipping.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In digital audio, a form of encoding is commonly used that employs a &amp;quot;sign bit.&amp;quot; The other bits determine the amplitude of the waveform, and the sign bit determines whether the amplitude is ''positive or negative.'' A positive amplitude means the section of the waveform above &amp;quot;zero amplitude&amp;quot; and a negative amplitude means the section of the waveform below. In the analog example (above); this would correspond to a positive or negative voltage. Because of this, digital clipping is typically perfectly symmetrical in nature (it occurs at exactly the same amplitude positive and negative).   &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=455&amp;oldid=prev</id>
		<title>Brad Johnson at 23:41, 21 March 2012</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=455&amp;oldid=prev"/>
		<updated>2012-03-21T23:41:12Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:41, 21 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Basics&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Overview&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term &amp;quot;&amp;lt;nowiki&amp;gt;clipping&amp;lt;/nowiki&amp;gt;&amp;quot; is used to describe a type of [[waveform]] distortion with the characteristic of a horizontal &amp;quot;flat&amp;quot; section on the top or bottom section of the waveform. There can be symmetrical and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;assymetrical &lt;/del&gt;clipping, depending on factors such as whether it occurs in the digital or analog domain and the type of audio circuitry in the analog domain.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term &amp;quot;&amp;lt;nowiki&amp;gt;clipping&amp;lt;/nowiki&amp;gt;&amp;quot; is used to describe a type of [[waveform]] distortion with the characteristic of a horizontal &amp;quot;flat&amp;quot; section on the top or bottom section of the waveform. There can be symmetrical and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;asymmetrical &lt;/ins&gt;clipping, depending on factors such as whether it occurs in the digital or analog domain and the type of audio circuitry in the analog domain.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Basics==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Basics==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Audio waveforms have two domains- the time domain which is the horizontal scale, and the amplitude domain, which is the vertical scale. Clipping is by definition an amplitude issue and will occur at a specific amplitude which depends on the cause.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Audio waveforms have two domains- the time domain which is the horizontal scale, and the amplitude domain, which is the vertical scale. Clipping is by definition an amplitude issue and will occur at a specific amplitude which depends on the cause.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;For example, in an &amp;quot;ideal&amp;quot; audio amplifier operating on a &amp;quot;bipolar&amp;quot; power supply voltage, when the output level would need to exceed the supply voltage to properly reproduce the input waveform; the section of the waveform that &amp;quot;exceeds&amp;quot; the supply voltage is replaced by a &amp;quot;flat line&amp;quot; at the supply voltage; because the amplifier output cannot exceed that voltage. In reality, the output cannot exceed a voltage somewhat below the supply voltage because there must be circuitry &amp;quot;between&amp;quot; the supply voltage and the output, for the amplifier to function. The difference is typically in the range of 1-2 volts; depending on the design of the amplifier, with special designs being able to amplify to a voltage less than 1 volt less than the supply voltage.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The resulting &amp;quot;clipped&amp;quot; waveform will have the top and bottom sections equally affected, and this is referred to as &amp;quot;symmetrical clipping.&amp;quot;  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Terminology]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
	<entry>
		<id>https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=454&amp;oldid=prev</id>
		<title>Brad Johnson: Created page with &quot;==Basics== The term &quot;&lt;nowiki&gt;clipping&lt;/nowiki&gt;&quot; is used to describe a type of waveform distortion with the characteristic of a horizontal &quot;flat&quot; section on the top or bottom ...&quot;</title>
		<link rel="alternate" type="text/html" href="https://lavryengineering.com/wiki/index.php?title=Clipping&amp;diff=454&amp;oldid=prev"/>
		<updated>2012-03-21T23:29:52Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;==Basics== The term &amp;quot;&amp;lt;nowiki&amp;gt;clipping&amp;lt;/nowiki&amp;gt;&amp;quot; is used to describe a type of &lt;a href=&quot;/wiki/index.php/Waveform&quot; title=&quot;Waveform&quot;&gt;waveform&lt;/a&gt; distortion with the characteristic of a horizontal &amp;quot;flat&amp;quot; section on the top or bottom ...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;==Basics==&lt;br /&gt;
The term &amp;quot;&amp;lt;nowiki&amp;gt;clipping&amp;lt;/nowiki&amp;gt;&amp;quot; is used to describe a type of [[waveform]] distortion with the characteristic of a horizontal &amp;quot;flat&amp;quot; section on the top or bottom section of the waveform. There can be symmetrical and assymetrical clipping, depending on factors such as whether it occurs in the digital or analog domain and the type of audio circuitry in the analog domain.&lt;br /&gt;
==Basics==&lt;br /&gt;
Audio waveforms have two domains- the time domain which is the horizontal scale, and the amplitude domain, which is the vertical scale. Clipping is by definition an amplitude issue and will occur at a specific amplitude which depends on the cause.&lt;br /&gt;
&lt;br /&gt;
[[Category:Terminology]]&lt;/div&gt;</summary>
		<author><name>Brad Johnson</name></author>
	</entry>
</feed>