“For tracking, the LavryBlue’s ability to capture transients is unparalleled among any converter I’ve ever used. You capture absolutely everything you hear going in, with an incredible amount of clarity and depth. There’s great depth in the low end with a crystal high end — nothing is lost in the tones of the recording. The LavryBlues are also really hard to distort. You can maximize the bit depth on every track, because you can push them into the red and there’s no clipping. If you do that with other converters, you’re just running the risk of nasty distortion and other digital garbage.”
Recording Engineer
Jim Monti operates at Korn Studios in Hollywood.
